![soundtoys academic soundtoys academic](https://www.magneticmag.com/.image/ar_8:10%2Cc_fill%2Ccs_srgb%2Cfl_progressive%2Cg_faces:center%2Cq_auto:good%2Cw_620/MTUyMDcyOTE4NzgyNzgwOTEw/53c2a688-1552-4e69-b3e4-1f18c335ee03.jpg)
The score and record collections’ strengths include music by Oregon composers, women composers, and contemporary publications provided by approval plans for recently published North American and international scores.
#SOUNDTOYS ACADEMIC SOFTWARE#
Facilities in the Douglass Room include an audiovisual-wired classroom, listening stations, five MIDI workstations with software for composing, mixing, digital audio editing and music engraving, and two reservable recording/editing suites complete with nearfield monitors, recording gear, and acoustic treatment. The Douglass Room, renovated in 2019, features a study lounge and browsable recording collection (compact discs, LPs, and cassettes). The Music Collection, located on the third floor of Knight Library, contains more than 50,000 recordings and 1,000 serials, including composers’ complete works, music reference resources, current and bound periodicals, and a collection of more than 28,000 books and 57,000 scores. A variety of courses, seminars, meetings, recitals, and programs are held there. In August 2004, music history faculty offices and the Early Music Program were moved to Collier House. From the early 1900’s to 2004 Collier house has been a residence for a university president and a chancellor, a library, a faculty club, a boarding house for professors, a restaurant, and a community meeting house–pub. Built in 1885–86 by the Collier family, it is a rare example of a late Victorian house in bracketed style, with an Italianate-style interior popular in the Northwest in the late 1800s. This 2,000 square foot, double-height room is day-lit via skylights, with a window framing a near courtyard garden.Ĭollier House, one of the buildings within the SOMD’s purview, is listed as one of the school’s facilities. It seats up to 120 patrons and is used for intimate performances. The multi-functional rehearsal room provides dedicated performance space for the festival, with high-performance acoustical design tuned for musicians and their audience. In addition to accommodating the OBF, Berwick Hall is a welcoming destination for students and faculty from the School of Music and Dance.
![soundtoys academic soundtoys academic](https://www.soundtoys.com/wp-content/uploads/2015/06/Decapitator-400x194.png)
The new 10,000 square foot building provides space for program rehearsals, recitals, lectures, and receptions, as well as administrative offices and support space, and gives the OBF a prominent presence on campus and in the city. While the OBF originated with the SOMD (then the School of Music), but since then had found different homes around campus. In 2017 the SOMD welcomed the Oregon Bach Festival into their new building. Significant renovations were also made to the existing facilities.
![soundtoys academic soundtoys academic](https://www.soundtoys.com/wp-content/uploads/2015/06/PhaseMistress.png)
The Thelma Schnitzer Performance Wing contains a symphony-size rehearsal hall, dedicated rehearsal spaces for jazz and percussion studies, a recording studio, and additional practice rooms. The Leona DeArmond Academic Wing provides studios for the Suzuki Strings Program, a music education teaching laboratory, twenty-eight teaching studios, classrooms, and practice rooms. Frohnmayer Music Building, containing state-of-the-art, acoustically isolated teaching studios, classrooms, and practice rooms. In 2008, two new wings were added to the MarAbel B. The School of Music and Dance’s five-unit building complex includes the 540-seat Beall Concert Hall, acclaimed for its superb acoustics separate band, choir, and orchestra rehearsal rooms with support facilities practice rooms a small recital hall studio offices, classrooms, and seminar rooms.